The Memory Itself
Picture Window, Emily Neufeld
“Our homes are the repositories of our memories. As our homes are renovated and changed over time, our memories of them are also overwritten. When a home is demolished, those repositories of lived experiences are destroyed. We may have memories in the form of photographs of the space, maybe a home video, but the physical materials imbued with histories of deep, personal, human interactions disappear. When a physical vessel for memories is demolished, it weakens the memory itself – so how well do our memories survive as we are continuously displaced, and our homes are eventually dismantled?
“In Picture Window the artist’s hand is the hand of a labourer. The geometric pattern painted throughout this image is a found pattern from the home’s kitchen, where the stripe was painted on a cinderblock wall. It has been carefully carried throughout the home, touching every room, before going out the bedroom window. This line is transformed into a representation of the gaze of someone living in this house. It is positioned at head height and folloss a line of view through the home, pausing where a piece of art once hung, then continuing out the window.
“At the same time, it is the line of gaze from outside the home into a bedroom. From embodiment to inhabiting, the life of a home is both an extension of the body and a microcosm of society at large. Who lived here in the past? What was their life like? Who will get to live here in the future, in the new home constructed on this site? Who designed and built these homes? Who cleaned and maintained them? What is lost with the demolition of the old home? What is gained by the building of the new home? Who suffers from rising costs and who gains?”